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Darío Fo: "La sátira es la forma más directa de desnudar el poder para leerlo mejor" - Diario Córdoba
![estratto da Medea di Dario e Franca Rame in occasione della Giornata Contro la Violenza alla donne - YouTube estratto da Medea di Dario e Franca Rame in occasione della Giornata Contro la Violenza alla donne - YouTube](https://i.ytimg.com/vi/OJxSeM7OB4I/hqdefault.jpg)
estratto da Medea di Dario e Franca Rame in occasione della Giornata Contro la Violenza alla donne - YouTube
![Chapter 6 The Reception of Medea in the 20th and 21st Centuries in: Portraits of Medea in Portugal during the 20th and 21st Centuries Chapter 6 The Reception of Medea in the 20th and 21st Centuries in: Portraits of Medea in Portugal during the 20th and 21st Centuries](https://brill.com/cover/covers/9789004383395.jpg)
Chapter 6 The Reception of Medea in the 20th and 21st Centuries in: Portraits of Medea in Portugal during the 20th and 21st Centuries
![Female Parts: One Woman Plays - Waking Up, A Woman Alone, The Same Old Story, [and] Medea by FO, Dario and Franca Rame: Near Fine Softcover (1981) Signed by Author(s) | Between Female Parts: One Woman Plays - Waking Up, A Woman Alone, The Same Old Story, [and] Medea by FO, Dario and Franca Rame: Near Fine Softcover (1981) Signed by Author(s) | Between](https://pictures.abebooks.com/inventory/31417011634.jpg)
Female Parts: One Woman Plays - Waking Up, A Woman Alone, The Same Old Story, [and] Medea by FO, Dario and Franca Rame: Near Fine Softcover (1981) Signed by Author(s) | Between
![De la Medea de Eurípides a la de Franca Rame y Dario Fo: la tragedia griega en el contexto histórico italiano de los '70 | Boletín GEC De la Medea de Eurípides a la de Franca Rame y Dario Fo: la tragedia griega en el contexto histórico italiano de los '70 | Boletín GEC](https://revistas.uncu.edu.ar/ojs/public/journals/43/cover_issue_91_es_ES.png)
De la Medea de Eurípides a la de Franca Rame y Dario Fo: la tragedia griega en el contexto histórico italiano de los '70 | Boletín GEC
![4.3. «Accetto di essere chiamata “attrice”, ma con l'aggiunta di qualche altra definizione». Franca Rame si racconta - Arabeschi Rivista di studi su letteratura e visualità 4.3. «Accetto di essere chiamata “attrice”, ma con l'aggiunta di qualche altra definizione». Franca Rame si racconta - Arabeschi Rivista di studi su letteratura e visualità](http://www.arabeschi.it/uploads/scattina_rame_g_fig5.jpg)
4.3. «Accetto di essere chiamata “attrice”, ma con l'aggiunta di qualche altra definizione». Franca Rame si racconta - Arabeschi Rivista di studi su letteratura e visualità
![The Whore in the Madhouse' and 'Medea' by Franca Rame/Dario Fo and 'The Man with the Flower in his Mouth' by Luigi Pirandello – STORM theatre The Whore in the Madhouse' and 'Medea' by Franca Rame/Dario Fo and 'The Man with the Flower in his Mouth' by Luigi Pirandello – STORM theatre](https://stormtheatrearchive.files.wordpress.com/2014/07/whore.jpeg)
The Whore in the Madhouse' and 'Medea' by Franca Rame/Dario Fo and 'The Man with the Flower in his Mouth' by Luigi Pirandello – STORM theatre
![The Whore in the Madhouse' and 'Medea' by Franca Rame/Dario Fo and 'The Man with the Flower in his Mouth' by Luigi Pirandello – STORM theatre The Whore in the Madhouse' and 'Medea' by Franca Rame/Dario Fo and 'The Man with the Flower in his Mouth' by Luigi Pirandello – STORM theatre](https://stormtheatrearchive.files.wordpress.com/2014/07/medea.jpeg)